The Worldview of Iqbal
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Qalandar



See also Chapter 9, 'Qalandar' in The Republic of Rumi: a Novel of Reality

Qalandar is a loosely defined sect of Sufis, often traced back to Mansur Hallaj (c.855-922) – the mystic who proclaimed, “Ana-al-Haque”, or “I am the Creative Truth”. Through literature, folklore and custom, the word has also become a handy category for including all beggars, wanderers and outcasts.

In the works of Iqbal, the word is almost always meant to evoke a combination of power, rare spiritual insight and a complete absence of greed. The general impression which one gets from the works of Iqbal is that while the genuine Sufis have an insight into the destiny of the world, they practice restraint. Qalandars are prone to giving up such restraint and hence they act like a bolt of lightning against the mysterious clouds of Sufism: they reveal what others had chosen to conceal but the display is so short-lived that it is gone before many observers could figure it out.

It is also remarkable to notice in the works of Iqbal his own gradual transformation from a poet into a qalandar. In his very first book of poetry, he introduces Bu Ali Qalandar of Panipat (1209-1324) as a role model (see Chapter 9), and the qalandars remains an ideal through the next two books but in the fourth, Persian Psalms, Iqbal claims to have himself become a qalandar (see Chapter). After that he often refers to himself – as well as to his disciples and comrades – as qalandar.

Hence the entire bulk of his work becomes a sort of manual for becoming a qalandar – which should not be unexpected if one understands that the story of Bu Ali Qalandar introduced near the beginning is an example of the power which Iqbal is hoping to evoke in his readers through his works.

The Worldview of Iqbal